Sophie Calle (* 9. Oktober in Paris) ist eine französische Künstlerin. Ihr Werk umfasst Fotografie, Installationen und Konzeptkunst. Sophie Calle mit. (Sophie Calle). Knapp und präzise beschreibt die Künstlerin das Konzept ihrer Installation „Die Entfernung - The Detachment“. Mit diesem Konzept ist es ihr. Sophie Calle ist eine französische Künstlerin. Ihr Werk umfasst Fotografie, Installationen und Konzeptkunst.
Die Künstlerin Sophie CalleSophie Calle, eine der berühmtesten französischen Konzeptkünstlerinnen, stellte in aller Welt aus. Ihre Themen: Liebe, Tod, Verlassenheit. Sophie Calle ist eine zeitgenössische französische Konzeptkünstlerin, deren Arbeiten sowohl die eigene als auch fremde Biografien erforschen. Sie arbeitet in. Sophie Calle (* 9. Oktober in Paris) ist eine französische Künstlerin. Ihr Werk umfasst Fotografie, Installationen und Konzeptkunst. Sophie Calle mit.
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In the upper piece, the color photograph shows a bed and headboard which elicit the faded grandeur of Venice, the carved wood, modestly patterned wallpaper, and sober yet satin bedcovers suggestive of the nostalgic time-worn wanderlust and romanticism that continue to draw countless visitors to the city.
The text underneath confirms our sense of temporary absence and voyeurism hinted at by the empty hotel bed. The artist's observations dated over three days, record details of the unseen hotel guests: their belongings, their activities, and their correspondence.
For example, in the entry for Sunday February 22 nd , Calle writes: " At night, he wears light cotton green pajamas, and she, a blue flannelette nightie.
There's a suitcase on the floor. The images suggest an objective detective-like stance by Calle. It is a prime example of her contribution to Conceptual art with her mode of taking a nominal proposition and carrying it out through the production of a work.
It highlights her synonymous incorporation of photography, documentary, and chance and posits the artist in a role similar to an anthropologist, seeking clues and exploring mysteries about specific specimens of humanity.
This pointed study of strangers and herself would inject a "confessional" vein into the world of Conceptual art, in which personal lives and their ephemera were considered worthy fodder for exploration.
A similar strategy was adopted by other contemporary women artists, perhaps most notably, Tracey Emin. The artist writes: "For months I followed strangers on the street.
For the pleasure of following them, not because they particularly interested me. I photographed them without their knowledge, took note of their movements, then finally lost sight of them and forgot them.
At the end of January , on the streets of Paris, I followed a man whom I lost sight of a few minutes later in the crowd.
That very evening, quite by chance, he was introduced to me at an opening. During the course of our conversation, he told me he was planning an imminent trip to Venice.
I decided to follow him. In this manner, Calle's observational style of photography could be regarded as a prophetic vision of our contemporary social media-obsessed culture, where people routinely display their private lives for the world to see via Facebook, YouTube, and Twitter.
At its heart The Sleepers les dormeurs is about the demarcation between the public and the private world, and Calle's poignant photographs of people during their most private moments, which is then publically displayed as works of art, highlights the fluidity of these boundaries.
By using the medium of photography, with its historical associations of truthfulness, Calle adds a further layer to this complex question.
Her works force the viewer to stop, think, and question-something that has become increasingly rare in our modern society as our use of technology and media consumption has increased at an ever-increasing rates.
Our ability to critically question what we see is in danger of diminishing, but Calle's distinctive way of questioning reality exists to warn us equally of the dangers of complacency.
COVID Important notice Read More Live Auction Lot SOPHIE CALLE B. Angelique Chrisafis, writing in The Guardian , called her "the Marcel Duchamp of emotional dirty laundry".
From Wikipedia, the free encyclopedia. French writer, photographer, installation artist, and conceptual artist. Paris , France.
Retrieved London: The Guardian. Retrieved 4 March Contemporary Women Artists. Farmington Hills, MI: St.
James Press. University of California, San Diego. Visual Arts Department and MCASD. Public Places — Private Space. Archived at the Wayback Machine Frieze Magazine.
The Photographers' Gallery. Archived from the original on Retrieved 2 March The piece was a perfect example of Calle's ability to force intimacy between strangers.
Only this time, instead of being a covert observer to other's behaviors, she openly invited personal engagement within the universally resonant setting of "bed time.
A break up letter to the artist, received via email, was the starting point for Sophie Calle's installation Take Care of Yourself , originally created for the French Pavilion of the Venice Biennale.
Taking the letter's final words "take care of yourself" as her starting point, the artist asked women, chosen for their profession or skills, to interpret the letter for her.
Calle then presented these collected multimedia reactions as her installation. Echoing our emotional need to understand such a blow, the responses to Calle's request included exhaustive examinations of the letter that analyzed every last word, phrase, nuance, and possible meaning in all manner of ways from psychological textual analysis to a parrot repeating those final totemic words "take care of yourself.
The sheer variety of responses, from the potentially illuminating to the absurd, all adhere to Calle's use of a conceptual constraint. In this instance, it involved the artist taking the letter's advice at its word - to take care of her self - via different interpretations.
The constraints, or rules, that Calle uses as starting points often allow for chance results, and as here, often make public the artist's emotional life.
In this instance, Calle turns a humiliating rejection into a liberating celebration of feminine solidarity.
Content compiled and written by Carol Sommer. Edited and revised, with Summary and Accomplishments added by Kimberly Nichols. The Art Story.
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